Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Han Yeo-reum is a furniture designer who owns a workshop space that she shares with other designers. For the past three years, she's been dating Nam Ha-jin, a plastic surgeon with a sweet and gentle personality. But Yeo-reum's peaceful existence is shaken when her ex-boyfriend Kang Tae-ha suddenly reappears in her life. The CEO of an interior design company, Tae-ha is a smart, confident man with a strong competitive edge who always gets what he wants. Meanwhile, Ha-jin's childhood friend Ahn Ah-rim has secretly been carrying a torch for him all these years. As she begins working with Tae-ha, Yeo-reum is forced to reevaluate her romantic history, which sets her off on a search for true love.

Lewis & Clark: The Journey of the Corps of Discovery tells the remarkable story of the entire Corps of Discovery – not just of the two Captains, but the young army men, French-Canadian boatmen, Clark’s African-American slave, and the Shoshone woman named Sacajawea, who brought along her infant son. As important to the story as these many characters, however, was the spectacular land itself, and the promises it held.

Lewis & Clark: The Journey of the Corps of Discovery tells the remarkable story of the entire Corps of Discovery – not just of the two Captains, but the young army men, French-Canadian boatmen, Clark’s African-American slave, and the Shoshone woman named Sacajawea, who brought along her infant son. As important to the story as these many characters, however, was the spectacular land itself, and the promises it held.

A young man finds himself alone in his hotel room with a full bottle of vodka when his repressed memories begin to resurface and take control.

Closet witch Diana Bishop and centuries-old vampire Matthew Clairmont are drawn into a deadly mystery and forbidden romance when a magical book shows up in an Oxford library.